• It's near the end of August and here we are putting together some of the most inspiring projects we've ever seen this month.

  • Creative Agency: Fabula Branding
    Client: INGMAN
    Location: Minsk/ Belarus
    Project Type: Commercial Work

    Fabula Branding performed design development of ice-cream 1st A for the company INGMAN. The main idea of the trademark refers to school theme as it unites both children and adults.

    The concept design is based on contrasts in color, textures, and graphics. It evokes sensation of childhood – the most bright and halcyon time in a man’s life. Handwritten font, deep yellow and juicy plum colors, imitation of wool knit add a special warm and soulful touch to the design.

    6 flavors of ice-cream are presented through 6 funny episodes where heroes are cute cartoon first graders. All episodes constitute a love story from the first form.

  • Creative Agency: Empatia, Argentina
    Client: Juice Meds, Malaysia
    Type of project: Commercial work

    Celery, apple, pineapple, parsley, beet, lemon, kale, ginger, carrot and mint. This newly founded beverage company helps to cleanse our body from toxic substances that we consume from daily food.

    Cold pressed from organic & raw produce. Designed in a simple, pure and funny way!.

  • Designer: Charline Baubeau
    Location: France
    Project Type: Student Project

    The goal is to transform a classical chocolate box in a design object. More than a chocolate box to eat, it can be a decorative object for Christmas period. This system gives a second life to the packaging.

    With three models, including instructions, you need only scissors and some flodings (no glue) to do your tree.

    Only one printing in the same color than the packaging needs to realize this box. This packaging exists in three colors, red, green, black, Christmas tones.

  • Creative Agency: Havas Design+ Portugal
    Creative Director: Pedro Vilar
    Designer: Catarina Paulo
    Client: Optimus
    Location: Portugal
    Project Type: Commercial Work

    These phones are your face

    Based on children’s unique imagination, and responding to their needs, Optimus has created a Special Edition for the Tag First (a telecom service targeted to a younger audience).

    Aiming for kids attention and in their own language, we've created a character that has everything to do with the target: the Tagarela.

    He is charming, in the different way. He has a personality, he is a lively and colorful figure, “a friend who brings something new and positive to my life”.

    This character serves also as gift: a pair of headphones imbedded inside the packaging, which represent the character’s eyes.

  • Creative Agency: Redindesign
    Location: Moscow/ Russia
    Project Type: Concept

    Brand «VZHIK» (in Russian it's a mosquito's sound) is for positive people, brand for the whole family. Enjoy your active lifestyle and don't be afraid of insects, they will not bite you! The basic idea and visualization are based on the concept of the peaceful behavior to the insects. We don't kill them, we just warn them. We're saying to insects — we live in the same world but we are not food for you. And insects pay us back saying OK with a slogan «I'll leave you alone for 3 hours» (on the package). Character of insects was created in a positive and emotional way. Insects are cute to us, but we can see they are a little bit upset because of the protection «VZHIK» stopping them.

  • Creative Agency: Raison Pure NYC
    Laurent Hainaut – Founder & Chief Creative Officer (CCO)
    Nicole Duval – Visual Strategist
    Lorena Seminario - Creative Director
    Ann Chen – Art Director
    Harry Chong - Art Director
    William Kang - Art Director
    Loren Kulesus – Senior Designer
    Alex Boulware – Designer
    Kyle Wessel - Designer
    Zachary Bush - Production Manager
    Client: Diageo
    Type of project: Commercial work
    Location: NYC, USA

    Mortlach is a new line of single-malt whiskies from the first legal distillery in Scotland’s region of Speyside. Inspired by the Cowies, the best-known owners of the Mortlach distillery—a father and son team of entrepreneurs and engineers— Raison Pure NYC centered on the concept of extraordinary engineering as it related to Speyside’s Victorian architecture and infrastructure.

  • Creative Agency: Raison Pure NYC
    Chief Creative Officer: Laurent Hainaut
    Art Director: Ann Chen
    Designer: Alex Boulware, Kyle Wessel
    Production Director: Linda Tseng
    Production Manager: John Colon
    Client: Diageo
    Type of project: Commercial work
    Location: NYC, USA

    John Walker & Sons Odyssey is a rare triple malt inspired by Sir Alexander Walker and his passion for sea travel. Raison Pure NYC's design honors Sir Alexander's decanter that moved to match the wave's motion. When gently pushed, the bottle swings elegantly, while the case allows the bottle to rotate fluidly 360 degrees.

  • Designers: Chow Hom and Chen Hua Yi
    Type of project: Commercial work
    Location: China

    Two different types of Chinese rice wine packaged into two different bottles. Just like our Yin Yang symbol.

  • Creative Agency: Chul
    Client: Demeter Tools
    Location: Los Angeles, USA
    Project Type: Commercial Work

    Our tasks involved creating a system and the design for a set of hardware tool packages.

    As a result, both the system and the design works harmoniously giving an elegant and yet informative character to each of the products. We created icons for every product showing its pure form and created a system that applies to all the boxes in order to achieve a consistent image for the whole product family.

  • Designer: Gonzalo Castro Guillén
    Location: Las Palmas de Gran Canarias / Spain
    Project Type: Concept

    Midori-T is a brand of japanese tea "green tea" accompanied by the packaging made from bamboo. Also serves as a glass to take your tea where you are. "Products are handmade".

  • Creative Agency: Testemobili
    Designer: Gianandrea Gregis
    Client: Méduse Genre
    Location: Milan/Italy
    Project Type: Commercial Work

  • Creative Agency: Fabula Branding
    Client: Belatmeat
    Location: Minsk / Belarus
    Project Type: Commercial Work

    Fabula Branding redesigned the package of sausages Mishutka for one the largest Belarusian producers of meat products Belatmeat.

    Sausages Mishutka are present on the market for quite a long time, and the product has become common name. Furthermore, they are easily identified by the corporate pattern with bears applied on cased sausages by natural smoking. Therefore, the new design had to be successive on the one hand; and on the other hand, rememberable, attractive and fresh, in bright colors and conveying positive communication.

    So, the brand hero Mishutka was created wearing blue-and-white chequered pants. This pattern became a well-recognized visual marker of the trademark and inevitable element of the design of the whole product line.

    Generally, the renewed design favorably distinguishes the product among the competitive alternatives due to both lively package and the image of Mishutka created by Fabula: a funny and winsome brand hero that children like.

  • Creative Agency: NDM Agency
    Creative Director: Nermin Nino Kasupović
    Copywriter: Admir Čavkić
    Photo: Samir Sinanović
    Client: Bihaćka pivovara dd
    Location: Bihać / Bosnia and Herzegovina
    Project Type: Commercial Work


    One of the leading brands on the Bosnian and Herzegovinian market is Lipa water, trusted by consumers since 2007. Bihaćka pivovara d.d. (Bihać Brewery), the company that owns the Lipa water brand, decided to acomplish complete revitalisation of the Lipa water brand in order to stay in the race for the leading position on the Bosnian-Herzegovinian water market, and tried by doing so to make it powerful enough to handle the strongest competition.

    The approach to redesign and revitalisation of the brand was made after assessment of the advantages and disadvantages of Lipa water in opposition to its market competition. The analyses revealed that it is a clean natural spring water of high quality, the wells of which lie at the foot of the mountain Plješevica whose altitude is 1657 meter. One of the main disadvantages of Lipa water is the packaging which due to its visual appearance "merges" with the competition and is lost in a sea of identical. The unattractive label design also contributes largely to the fact that consumers have in time rather chosen water from the other competitors.

    The first step in revitalisation was the introduction of a new bottle with the volume of 0.25 l, with a new and fresh label that communicates about what the product actually is. The label symbolizes the peaks of Mount Plješevica, beneath which are the sources of Lipa water, and the blue color tells us that it is a natural spring water.

  • Creative Agency: AESOP
    Designers: Gabriel Soto and Harriet Beesley
    Type of project: Commercial work
    Location: Devon, UK


    Used by the Victorians to protect their modesty and as much a part of the British seaside tradition as ‘kiss me quick’ hats and sticks of rock, the iconic beach hut provides the perfect centre-piece for Aesop’s playful pack designs for Devon-based Bristows range of Clotted Cream Fudge and Toffee.

    The pastel-coloured ‘sun-kissed’ packs, which reflect the four flavour variants (plain and assorted for both toffee and fudge) feature the hut door as the pack window. The pack design also includes a number of ‘discoverables’, such as a crab and a seagull, which are fun, engaging and add character.

    Produced by Aesop designers Gabriel Soto and Harriet Beesley the aim was to create an evocative world around the product and to communicate the brand’s cheeky attitude. Bold and fresh, the design approach has bags of charm - the brilliant British seaside captured with a modern twist.

    On shelf, the packs also pack a punch. Lined up to create a row of multi-coloured beach huts, it’s an eye-catching, impactful approach and a nod to the brand’s Devon heritage.

    The newest addition to the Bristows family, Aesop have previously created critically acclaimed packaging for both Bristows Traditional and Bristows Chewy Bonbons.

  • Artist: Nate Williams
    Creative Agency: Voice
    Art Direction / Design: Tom Crosby
    Client: Rio Coffee
    Location: Australia
    Project Type: Commercial Work

    Rio Coffee have visited four corners of the Earth to source exceptional-quality single-origin coffee beans. Only fitting then, that the packaging should convey the same excitement and enthusiasm with which the beans have been sourced and locally roasted. Each box is adorned with captivating imagery of its homeland, telling a vivid tale of the landscape, people, coffee production and, of course, enjoyment.

  • Creative Agency: Sparrow Design by Marek Kowalczyk
    Client: Beliso - Cece, Sweden
    Location: Poland
    Project Type: Commercial Work

    Preparing the complex branding (logo, packaging design, label design, key visual, print, poster) for care products line with KERATRIX complex designed for use in hairdressing salons, which consists of 3 sublines: Salon Tech, Salon Expert Care and Salon Form. Designing labels for all product of each line: shampoo and conditioner big/small, hair mask big and small, biphasis conditioner, serum, spray, cream, fixative, balm and liquids for perm.

  • Production: Project Packaging
    Creative Agency: I Want Design
    Client: Sweet Virtues
    Country: United Kingdom
    Type Of Work: Commercial Work

    Project Packaging assisted in the production of custom packaging for these indulgent, handmade superfood truffles from start-up company, Sweet Virtues.

    Sweet virtues wanted a packaging design that was just as luxurious and uncompromising as the flavour of their nutrient dense truffles.

    Several opening styles were prototyped but the client settled upon the tall lid off lid option with the base of the box partially exposed to reveal the flavour. A matt black has been used to line the bottom compartment’s interior where the truffles are housed.

    Initially, an uncoated, raw looking paper was to be used for the outer printed wrap, however, after testing, it was decided that this would not stand up to constant use.

    And since I want Design created such beautiful imagery, the idea is that boxes will be kept by the consumer after the yummy contents have quickly been devoured.

    A matt laminate now protects the outer printed box wrap and brings out the rich, vibrant colours used on the packaging. With three different truffle varieties, each box has been coloured differently to distinguish each flavour combination.

    Sweet virtues live by the “Triangle of Health” philosophy, which is a balance of mind and relaxation, food and nutrition and exercise and fitness – and you can see the triangle features in their logo design and has been echoed with three flavour options:
    - Maqui Berry
    - Baobab & Vanilla
    - Chai Seeds & Lime