Columbine (Re-designed)



Designed by Dow Design, New Zealand.

The new logo and branding modernises the Columbine image, positioning the brand as a quality product for the mainstream market and creating brand cohesion across the range. “We wanted to communicate Columbine’s quality and stylishness while making an impact,” says Dow Design’s Creative Director Donna McCort."

“Although a trusted brand, Columbine lacked the personality needed to properly stand-out and attract the attention of younger shoppers. By giving the brand a fashionable new look, the packaging reflects the modern quality product inside and keeps Columbine right up with its competition.”

"The new Columbine logo makes a dramatic statement in today’s fashion-focused market with an artistic and contemporary arrangement of the Columbine letters in a custom-built decorative typeface. Held within a strong black circle, this creates an eye catching symbol to cut through in the competitive hosiery market, capturing the brand's unique sense of elegance and effortless beauty.

Columbine Managing Director, Alistair Thorpe, says the time is right for a rebrand. “We have essentially had the same look since 1989 and I knew a brand refresh was overdue.

“Inspired by both the pride of being ‘New Zealand Made’ and the modern designs I had seen in Europe, I wanted something that was individual but also contemporary. Knowing some of Dow Design’s work, I knew they were the company to take us there.”

Dow Design retained and reworked Columbine's traditional black and gold colours, pairing them with a style of minimal photography that features the same model across the range. Unlike most hosiery imagery, which features just leg imagery, her face is seen and reinforces the natural beauty that Columbine so values.

“We wanted to communicate that the Columbine lady is naturally chic with subtle sex appeal and the model’s face communicates an honesty to which customers can naturally relate,” says Dow’s Senior Designer on the project, Hannah Gordon.

She explains that shopping the hosiery category can easily feel overwhelming and confusing. “So, as well as creating a consistent look across the range, we have introduced a darkening background colour that lets shoppers identify the options more quickly and more easily. The overall outcome is a stronger, fashion-focused brand”.

Established in 1951, Columbine is the only remaining New Zealand based hosiery manufacturer. Headquartered in Gisborne, the family business employs 100 people and also manufactures Harlequin men’s socks. Its products are widely available throughout New Zealand and Australia at both major department stores and smaller independent retailers.

Dow Design’s Columbine offering follows recent successes in rebranding long established local brands such as Anchor, DB Export, Hellers, Primo, Fresh‘n Fruity, Brancott Estate (Montana) wines and Robert Harris. The brand design specialists are also behind the recent redesign of the Alison’s Pantry section of New World and Pak‘n Save stores nationwide, and are consultants to Auckland’s new Q Theatre.

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Carli Choklad



Designed by Johanna Broo of ScandiPac AB, Sweden.

ScandiPac AB has created a brand new serie of packaging for the chocolaterie Carli Choklad. It contains six different parts, three praline boxes (S, M, L), one for chocolate bars, one for small chocolate hearts and last but not least a gift voucher. The packaging has a gracefull decor which we have made more exclusive through spot varnished lines and by flatfoiling the logotype. Each part has its own heart that pops out from the carton and makes it even more interesting for the receiver.



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Arctic Beer



Designed by Tank, Norway.

Mack’s number one-product, Arctic Beer, was changed from being a standalone product, to a series including Light and Ice versions. The client wanted a modern and young look with similarities from the predecessor – while at the same time being something new and fresh.

The solution extends and simplifies the elements that were the mainstay of the identity, but with more emphasis on the brand name and the cold freshness. The arctic purity, the clear and fresh water it is made of, and the brewery being the worlds northernmost, is the very base of the concept. It shows off in the clear blue color and ice sharp arrow that points you in the northern direction. It is freezing cold. It is refreshingly tasty. It is Arctic Beer.

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Bayer MaterialScience Sample Box


Modular stackable boxes made of Makrolon ® filled with a representative selection of samples of materials from Bayer MaterialScience

Designed by GOLDEN PLANET design, Germany.
Conception, design and realization of the Bayer MaterialScience AG Materialmusterbox with special stackable boxes made of Makrolon ®, complete communication concept with labels, brochures and web portal in collaboration with SOLO TM communication design.

Winner of IF Communication Award 2010
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Hyde Gum (Student Work)



Hyde, an Industrial Design thesis project ideated by Mina Ghaani in September 2010 evolved into an intricate and multi-faceted product that enveloped critical strategies of design, communication, production, and sustainability within a vulnerable demographic.

In-depth research informed Mina Ghaani's decision in re-designing a widely used product, gum packaging, that is completely free of any cultural/sexual stigma. Consequently, Hyde gum redesigns an everyday object into an aide and resource that provides options, empowerment, knowledge, and information about the available health and support services for young women, specifically sex-trade workers. As the project evolved, Meriliese Cabebe, Communication Design, joined in January 2011 as a collaborator. Mina Ghaani continued to develop Hyde with a focus on the packaging and its aesthetic, while Meriliese Cabebe focused on developing the website aesthetic and architecture. The collaborative resulted in Hyde, a brand, a new perspective, a choice.

Hyde employs a luxury and high end aesthetic in order to lure in its demographic and is enhanced with quick self-defense tips on the middle sleeve, a website (www.hyde.com), and hotline (1-800-hyde) that directs young women, party girls, and specifically sex-trade workers towards medical and support resources in their neighbourhood. Hyde educates and empowers young women through offering choices and options.

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Stoke Beer



Designed by Supply, New Zealand.

McCashin’s Brewery was born in 1980 when hotelier and former All-Black Terry McCashin and his wife, Bev, bought the Rochdale Cider Factory in the small upper-South Island city of Nelson New Zealand. They had a plan to brew a distinctive, high-quality beer, McCashin’s Brewery soon became the most successful independent microbrewery in the country.

Its award-winning 100% naturally-brewed beer revolutionised the way beer was produced. and won the hearts and taste buds of the nation.

Now the next generation of McCashin’s have carried on the tradition in this historic brewery, and created New Zealand’s newest locally produced premium craft beer, Stoke.

This premium beer is batched brewed and tank conditioned for over 3 weeks. Using Nelson’s famous organic hops, premium malt, bespoke yeast, contains no artificial additives or coloring, and to top it off 14,000 year old pure Palaeo water. The entire process from brewing to bottling happens on the site at Stoke.

Stoke sets itself apart from commercialized beers on the market through its premium quality ingredients and the McCashin’s honesty to their product and consumers. The brand and packaging reflects these ideals through its understated no fuss typographic layout. A simple colour palette distinguishes varietals whilst the gold foil details reflect its premium attributes.

Stoke’s label designs clearly tell you what it is without the fluff of it’s competitors. An elegant yet masculine bottle shape accentuates its sturdy southern roots but speaks to it’s discerning new consumers. Stoke has received great success already, with it’s deep history, honest qualities and unique design consumers finally have a true craft beer to love again.
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Santa Margherita - Pinot Grigio 50th Anniversary



Designed by Minale Tattersfield, United Kingdom.

Santa Margherita launched Pinot Grigio fifty years ago and was the first company to sell the variety commercially. Today the brand is the largest selling Pinot Grigio in the world. The variety is particularly popular in the USA and Santa Margherita is the by far the biggest selling brand there. The magnum bottle introduced to mark the anniversary is the first sparkling Pinot Grigio and is produced according to the metodo classico (champagne method).

Marketing objectives serving as a base for the solution
Santa Margherita wanted to use the 50th anniversary of its Pinot Grigio to promote the brand. Minale Tattersfield created a design formed from one label superimposed on another to construct an L, the Latin numeral for fifty. The objective was to inform consumers of its pioneer and high quality status in what is now a crowded market. The design follows the classical elegance of the brand denoting quality and timelessness, communicating its relevance to today. A magnum of sparkling wine is traditional for celebrating but this product has the added task of announcing the introduction of a new variety, sparkling Pinot Grigio.
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Chanel Mobile Phone (Student Work)



Designed by Steven C. Huang, graduated from Art Center College of Design in Pasadena with a Bachelor of Fine Arts degree in graphic design, United States.

Chanel Mobile Phone Branding and Premium Packaging.

Challenges
The luxury sector is known for it's excessiveness & wastefulness; In an environmental-aware age, how do we communicate luxury without sabotaging the planet? The criteria for the Chanel mobile phone packaging focuses on creating an environmentally responsible solution while preserving the premium touch and feel that Chanel is known for.

Solution
The final outcome is an esthetically pleasing presentational packaging that doubles as a phone charging station. Wrapped in the familiar Chanel pattern the faceted form is derived from the iconic Chanel N°5. Not only is the packaging designed to be a keepsake display, the material used was also the fore most important consideration. The structure framework utilizes 100% recycled PET, in addition the faux-suade fabric, the microfiber cleaning cloth and the ribbon is also composed of 80% reclaimed PET material.
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Dyrøy



Designed by Tank Design, Norway.

Dyrøy Foods is a small meat producer in the picturesque district of Dyrøy, Northern Norway. They believe in a hones approach, the quality of traditional food, and the social and cultural aspects of The Good Meal. They have high quality products, but needed the packaging that could make them stand out as clear and different.

Solution: The hexagon shaped box is custom made, and stands out in the stores because of it´s characteristic shape, and it´s emphasis on the product inside. The package is kept in 100% recyclable brown cardboard, supporting the honest and sober impression. The hexagon is easily stacked both in production, transportation and in shelves. Rasterized black/white images, picturing origin and consuming situations, supports the impression of solidity and tradition.
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Paw Ridge



Designed by Ziggurat Brands, United Kingdom.

You have to say the name out loud…’Paw Ridge’? ‘Pour-Ridge’? ‘Porridge’? There you go… Developed by Quaker, Paw Ridge is a healthy, convenient breakfast cereal for children with a world of adventure and interactive entertainment for the imagination on the pack.
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Harry’s Nuts!



Designed by BrandOpus, United Kingdom.

Harry Hill Goes Nuts for BrandOpus Fairtrade Peanut Butter Design

Harry Hill has revealed that the latest in his Harry’s Nuts! range of Fairtrade nutty products will be Crunchy Peanut Butter. Harry was closely involved with the packaging design, created by strategic design agency BrandOpus, who previously redesigned the Harry’s Nuts! snack nut range last year.

Harry’s Nuts! is a brand developed by Harry and Liberation Foods, the world’s only farmer-owned Fairtrade nut company.   Harry, who makes no money from the range, came up with the Harry’s Nuts! concept to help smallholder peanut farmers in Malawi, Mozambique, Nicaragua, and other farming groups in Asia and Latin America, sell their crops in the UK and not for ‘peanuts’ at the roadside.

Avril Tooley, client services director at BrandOpus, says, “Working with Harry again was an exciting opportunity to drive sales for this great cause.  We’re proud to be associated with a brand that aims to help such a large number of farmers in such a constructive way. The packaging design aims to be, fun and playful, just like Harry and follow in the successful footsteps of the wider Harry’s Nuts! range we designed last year”

Liberation Managing Director Kate Gaskell said of the redesign, “We are delighted with the Harry’s Nuts! peanut butter design, showing a cartoon Harry jumping up and down on peanuts. BrandOpus quickly grasped our Fairtrade mission and product and are tuned in to Harry’s quirky humour.”

Harry’s Nuts! Fairtrade Crunchy Peanut Butter will be listed in 190 Sainsbury’s stores from June, RRP £1.69, and joins a portfolio of other Harry’s Nuts! Fairtrade products, including extra roasted salted peanuts and cashews which are already available at Sainsbury’s, Tesco, Waitrose, Ocado and other outlets.

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Whiskas Dry Packs



Designed by Grain Creative, Australia.

In partnership with Mars Petcare, Australian based design and brand agency Grain Creative have relaunched the Whiskas dry packs, across a variety of size and pack formats.

With a remit to simplify on pack communication and balance brand personality with product benefit, Grain Creative retained brand heritage and injected nutrition and taste cues into the packs.

With an emphasis on education and reassurance for passionate cat owners throughout each stage of their cats life, the new packs offer clear differentation between flavour variants, simpler navigation and soft curves that were inspired by the heart shape that resonates so strongly with the Whiskas brand.

The Grain’s are pleased with the final packs and creative director Jure Leko says, "It's always exciting to take on such an iconic brand and evolve it. The challenge is in finding the right balance between brand personality and communication of product benefits. Whiskas is a brand that is passionate about cats and cat owners and we wanted the lines and flow of the design to reflect care and softness as well as taste and nutrition. The curves of the purple were inspired by the heart shape which features strongly with the Whiskas brand."

Look out for the new packs in store now!

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Five Point Art Supplies (Student Work)


Gloss and matte fixative, presentation and premium paper, chalk pastel, rubber cement, B series pencils, swatch book

Designed by Ryan Bosse, a student at Fort Hays State University in Hays KS, United States.

Five Point art supplies are art products that appeal to the 20 to 40 year old artist. The in-store idea is that the detailed design will immediately catch the eye of any artist, being that every artist is detail oriented in someway. I wanted the design to be unique enough that no matter what isle in the store, when you see the elaborate design you automatically relate it to the great product you bought from Five Point previously, and therefore are inclined to buy more of the product.

The concept: Art is something that leads you through life and makes you look at it in a different perspective than anyone else.

The ribbon represents a conceptual path and visual one, leading you from the logo to the name of the product. The illustration literally represents a variety of perspectives.
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Temma's (Student Work)



Designed by Carsten Bartsch, Germany.

When designing the draft for "Temma's"(trade chain REWE) new store brand packaging for products such as Currywurst, Ketchup and pea soup, Carsten Bartsch was inspired by classic wallpaper and wall tile patterns typical for the good old tuck shop. Humorous pictographs representing the products' ingredients, conveying those in an honest, clear and contemporary way, make Carsten Bartsch's packaging congenial. The material he uses is a heat, fat and moisture resistant, coated cardboard, providing complete compostability. The unicolor print reduces costs and the ecological impact.
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Fresh & Easy Cookie Crèmes



Designed by P&W, United Kingdom.

International Design Consultancy P&W has designed a range of sandwich cookies for Tesco’s US chain Fresh & Easy Neighborhood Market. The range consists of a Chocolate cookie with vanilla crème filling and a Vanilla cookie with vanilla crème filling.

This style of cookie has been a family favorite for many decades, so the design had to encompass traditional values and heritage cues as well as having a fresh look and feel. Our approach was to showcase the cookie, by taking its shape, detail and moulding to create a bold pattern to frame the product titles. A glass of cold milk next to the photography of the cookies completes the scene.

These cookies contain no artificial colors, flavors or preservatives, consistent with the Fresh & Easy ethos. To further enforce the brand values, the cookies are baked with the fresh & easy logo ‘clapple’ in the middle.

“In a heavily branded sector such as cookies, we needed the design to be strong and eye catching on shelf. We felt that our solution was bold and had the personality to compete in category and appeal to customers of all age groups".
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Creative Creatures



Designed by Grain Creative, Australia.

With Halloween just around the corner, we here at the Grain Creative saw this as the perfect excuse to get our clients together for a drink, some nibbles, and a boogie to 'The Monster Mash'. We decided that bottles of red wine, labeled with details of the Halloween party would be the perfect 'invitation' as a teaser of what was to come on the night.

Being a small agency, we decided to personalise the invitation by taking photographs of each of the 'creative creatures' and rendering these to create five separate invitation designs. From the screaming zombie to the mermaid with the vindictive smile, Grain Creative wanted to ensure the invitations had a humorous aspect to them, drawing influence from 50's horror films and The Rocky Horror Picture Show.
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Redesigning LED Packaging (Student Work)


close up of point-of-purchase display

Designed by Bryant Yee, a recent graduate of the School of Art & Design at the University of Michigan, United States.

In the next decade, the application of LED bulbs will become increasingly widespread due to their increased energy efficiency and the absence of toxic metals in their construction. Although the price for an ~800-lumen LED bulb is quite expensive when compared to an incandescent or CFL bulb, the energy savings over the lifetime of the bulb are significant. At 11¢ per kWh, a 12.5-watt, 800-lumen LED bulb uses $37.50 of electricity over its 25,000-hour life. This is a $142.50 savings when compared to the $180 required to run a 60-watt, 860-lumen incandescent bulb over the same period. While LED bulbs clearly have many advantages, their packaging presents numerous problems including excessive use of plastic clamshell and complicated typographical information. Both of these issues are highly problematic, as they are inconsistent with the bulb’s ultimate goals of conserving energy and promoting sustainability.

The first problem with the packaging is that it is made out of plastics, which are primarily manufactured from oil and natural gas, which are both non-renewable resources. Additionally, nearly all of the molecules that plastic factories have produced for decades are still with us and will remain present for centuries. Plastics litter the landscape and the oceans; they break into microscopic particles and enter the food chain. To reduce materials and waste during production, the assembly of this packaging design requires no glue and is constructed from 100% post consumer recycled paper that is manufactured carbon neutral. Also, this design promotes a system where consumers can easily send their incandescent or compact fluorescent bulbs to a recycling facility as the package also serves as a prepaid return-shipping container. To increase utility while maintaining structural rigidity, the inside of the box holds an innovative paper design. This design can quickly transform to fit any bulb placed back inside of it, while protecting it from being crushed during transport.

In addition to new regulations regarding bulb packaging, starting in mid-2011, the Federal Trade Commission announced that new laws regarding the labeling of light bulb packaging would commence. The new labeling requirements will promote consumer education by clearly displaying information that will help them select the most efficient bulbs that best suits their lighting needs. The label on the front of the package will emphasize the bulbs’ brightness as measured in lumens, as watts are a measurement of energy use, not brightness. Currently, reliance on watt measurements alone has made it difficult for consumers to compare traditional incandescent bulbs to more efficient bulbs, such as compact fluorescents. A compact fluorescent bulb may be able to produce the same amount of brightness as a traditional incandescent bulb, while using significantly less energy, or watts. Finally, new labeling will also display the estimated yearly energy cost for the respective bulb. These changes in information presentation will be key drivers in helping consumers make educated purchasing decisions as they transition to more energy-efficient types of bulbs while contributing to the overall increase in the adoption and promotion of sustainability.

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Hue (Student Work)



Designed by Vanessa Wainwright, a graphic design student at the Milwaukee Institute of Art & Design, United States.

The idea behind Hue is to educate people on the use and theory behind color. Hue was created because artists need to have a better understanding of not only how to use color, but where it comes from and what it means. Hue educates students and professionals on the essential facts and uses of color through five different artist products. Each product would be used differently, but the effect of color is the same. Hue takes a new approach on packaging information to artists and how they use the tools they are given.
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Simone Fuchs Tea (Student Work)



Designed by Simone Fuchs, currently studying at the University of Northampton Graphics and Communications BA(hons).

Tea packaging all illustrated with hand rendered typography. Each animal refers to an attribute of the certain tea. E.g. green tea makes you fidgety (grasshopper) or camomile tea has a calming effect and slows you down (snail).
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Debenhams’ Gift Card



Designed by Burgopak Design and Packaging, United Kingdom.

Debenhams’ new gift card boxes slide into the UK market

Debenhams have launched a new design for their branded gift card boxes. The elegant new packs have been brought in to accentuate the Debenhams brand ethos of offering design in every department by providing customers with a slick and fun way to present their gift cards.

The retailer worked on the project in conjunction with Burgopak Design and Packaging in London. Creating a unique gifting experience, the design incorporates Burgopak’s patented sliding mechanism, connecting a display panel to hold any of Debenhams’ gift cards with a section for leaving personalised messages.

In a move away from their standard form, the new gift card boxes resemble miniature shopping bags with nylon hanging straps. With chic, simplistic artwork provided by Debenhams, the midnight black design features a silver hot-foil stamp detail on their tag-line, “design in every department.” As well as adding value to the Debenhams brand, the design further assists in continuing the retail experience beyond the store.

Of the design, Burgopak’s Creative Director Dane Whitehurst says: “It’s been a pleasure working with Debenhams on this packaging project – they understand how important it is to offer their customers high quality and aesthetically pleasing gift options that will extend their brand well beyond the point of purchase. We believe the new design will assist in promoting brand loyalty and enhancing their design offering.”

The new Debenhams gift card boxes are an alternative to the pre-existing range of celebration and greetings card packs. Sold at £1.00 or free with gift card purchases over £50, the packs are available now in Debenhams stores across the UK.
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Coffee :Dance!



Designed by iQonic, Russia.

Brief: Develop the name, logo and packaging design for a new coffee brand for the medium price range. The target market of this product are young (18-35 years of old), dynamic men and women, who follow trends and live in big cities and towns. They are positive, know what they want from their lives, they like to try everything new and love "to be on the topic".

Concept: In order to create a bright product that draws the attention of a customer, the designers of iQonic developed a key visual brand of «Coffee :Dance». On a colourful and brightly illustrated background there is a hovering, as if dancing in the air, coffee cup and a saucer.

The logo has been created to emphasise the positive feeling and the brightness of the packaging with the wide smile of the letter "D" and the bold and rhythmical tapping of the letter "A".
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Zinkplaat - Mooi Besoedeling



Designed by Fanakalo, South Africa.

Zinkplaat is an Afrikaans pop-rock-blues-fusion band from South Africa. The name Zinkplaat is the Afrikaans word for corrugated metal.

This, their fourth album comes shrink-wrapped with a scratch-off ink layer on the front and back, as well as a guitar pick to scratch the ink off with.

The album’s name ‘Mooi Besoedeling’ translates to ‘Beautiful Polution’. We believe this is a very good functional solution to the fact that a simplistic clean cd cover design stands out most from all the clutter on a store shelf, yet is very boring once bought. However one wants to read the album as a concept, people seem to love the scratch-off part…
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Nuts & Co.



Designed by Francesco Trivini Bellini, Madison Li, Benjamin G. Vergnion of Groundfloor81, Europe.

NUTS & CO. is a premium purveyor of Middle Eastern delicatessen.
The brand identity and packaging were designed to reflect the origins of the products in a contemporary and sophisticated style. In early 2011 the first store in Geneva opened to much acclaim.
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Orino Nougat Bars



Designed by Deep Blue Creative Graphics, Greece.

A new product line from Creta Mel confectionery company for NOUGAT with fruit and nuts. This new designs come to replace the older packaging of the company as a fresh fruity idea. There are 6 different flavors in this range providing a colorful and pleasant packaging.
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Carlsberg Copenhagen



Designed by e-Types, Denmark.

Copenhagen and Carlsberg share their history with entangled destinies. This shared history - geographically located at 56 degrees North latitude - is key to Carlsberg, thus the hommage.

e–Types has designed the 'Copenhagen' logotype and refined the label. The clear space surrounding the minimalist and clean logotype makes it appear even more minimalist – nordic in its essence.

The label text is typed in The Wave
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Jean Georges



Designed by Louise Fili, United States.

The design for this grapeseed oil for chef Jean-Georges Vongerichten combines a California and French sensibility—a West Coast color palette against a Provencal background motif.
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L. Condoms



Designed by Adrian Gilling, United States.

L. is a condom company with a cause: to empower women globally by supporting the human right to safe sex. For every condom you purchase, one is distributed in a developing country. L. not only provides those in need with safe sex options, but also educational programs in order to raise awareness about HIV/AIDS within communities highly affected by the disease. The initial packaging is designed to spread the message within developed countries in order to facilitate the "1 for 1" mission of the company.
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Vaasan



Designed by CB'a, France.

VAASAN, leading firm on the Finnish bakery market has challenged CB’a for its fresh bread category redesign of the Finnish market counting more than 50 products.

The VAASAN Group is one of the most significant operators in Northern Europe. It is the leading company in Finland and the Baltic Region. In order to increase its leadership and better address consumer’s needs, CB’a worked on reorganizing its portfolio, and revamping all packs.

The agency’s objective was to build a new architecture around four different platforms based on a unique concept: “Bakes Finland Favorites”. Four poles were thus identified: two monobrand platforms for VAASAN RUISPALAT, and VAASAN Isoaidin, a “Health & Energy” and a “Variety & Treat” platform.
Besides, VAASAN needed to switch from a portfolio organized by products to a portfolio that better takes into account the consumer benefice and strengthen VAASAN’s equity.

Once the four poles were defined, CB’a worked on the packaging of each brands sometimes only relifting the packs, sometimes creating a full transversal system. VAASAN RUISPALAT was only modernized as it represents 40% of the sales, however VAASAN Isoaidin was completely revamped to convey the brand know-how, homemade spirit and the grandmother’s excellence.
For the other two, CB’a created a graphic system either with wheat head for Health & Energy or played with the logo shape for Variety & Treat.
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Casillero Silva



Designed by Daniel Eek, Sweden.

Casillero Silva is a semi opaque wine with a light body and medium acidity.

I wanted to focus on the fruity flavour and give it a bit of a mystery touch. I let the typography be modern that would work well together with the grapes. Instead of dividing the two elements apart I designed it so that the grapes and the type becomes one.
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Heineken Join The Green Line



Designed by Raison Pure, France.

HEINEKEN & RAISON PURE MAKE THE VIBE !
Raison Pure developed a special edition range for Heineken as the central pillar of "join the green line" concept: events, concerts etc.. The challenge was to create an appealing brand experience for Heineken via a 360° music activation programme.

Raison Pure Paris designed a series of 4 stylish & energetic cans ; each instrument is connected to an iconic capital city, and delivers a unique Heineken vibe.

The fresh graphic vocabulary combine with fine renderings, to compose a memorable Heineken hit!
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Twist & Shot (Student Work)



Designed by Michaël Descharles, a student from Maryse Eloy school, Paris.

The project is to create innovative packaging for a solid drink. The two flavors powders are separated by the twisting of the packaging. By untwisting the top and bottom, both products get mixed. Both sides open automatically and release the product.
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The White Company (Extended)



Designed by Aloof, United Kingdom.

Branding and packaging design by Aloof for a new range of products for The White Company.

The 'herbal range' represents their most confident collection to date. Graphics, colours and print processes have been reduced to a minimum, with debossed-effect graphics forming part of the ceramic moulding of the products.
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Wine Bag-In-Box



Designed by The Design Studio 13, Moldova.

The design studio 13 developed the design for the wine bag-in-box. The main design element is a grapevine with a grapes cluster against the picturesque landscape. All the information is written on the label hung on the grapevine. Just two colours used in this design: the light colour is for white wine, and the black colour is for the red one. The colourful and laconic design will take much attention of potential buyers.

Two design variants for the label were developed. In the first one the light tone is used for the white wine, in the second – the dark tone for the semisweet one. The brightness and saturation of the colours, naturalness of the illustration attract attention without an additional advertisement.
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Wink



Designed by Annie Chou, Robert Joel Cortez, Fiona McDougall, Wild Eye Designs, United States.

Wink™ is a fresh and young product line under the parent company Wild Eye Designs™, a leading edge designer and wholesale manufacturer in the Gift and Tableware industry. Wink™ is an opportunity to lighten up entertaining and have some fun with your guests. It’s quirky, innovative, and just cheeky enough to put a smile on anyone’s face…the cooking is really secondary.

Each product has a unique story that coincides with the brands vision. The packaging is meant to be as sassy as the products themselves. Bright, bold and attractive colors were used to capture consumers’ attention to the product. Pattern was applied to the sides of the package to communicate the product's metaphor, while simple hand-drawn line art complemented the cheeky copywriting and product names. Taking everyday objects and transforming the consumers experience in a different way is Wink™, and this comes to life through packaging.

The team of designers at Wild Eye Designs truly created a packaging system that allows Wink™ products to be unified as the scope of the brand continues to grow.
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De Vine Vineyards



Designed by Hired Guns Creative, Canada.

De Vine Vineyards is a new vineyard located on a hill top on Vancouver Island's fertile Saanich Peninsula. They approached Hired Guns Creative for a full branding package including identity design, wine label design, print design, signage design, and website design.

Photography by Sean Fenzl.

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The Pie Monster



Designed by Fernando Fernandes & Silmo Bonomi, Brazil.

O Monstro da Torta means The Pie Monster in English and it is a new fashion brand of baby clothes in São Paulo, Brazil.

The challenge was to create a stylish package to be different in this market. The brand’s concept is about a Monster, who came from a place called Monstrozelândia, very close to New Zealand, and he found in Brazil happiness and some good mates. He also LOVES meat pies and does everything to eat them. He is lovely, friendly, blue and huge. He likes kids but he never appears in the story, just small parts of his body.

After a lot of effort to make our idea viable in terms of costs and production we came up with the idea to use pie packages (very popular in Brazil) and bring to them a refined look. They are printed in 5 colors (one being metallic), plus varnish and lamination BOPP.

This brand has a very clear mindset. They want to become a kind of fairytale and once that happens, they will launch new products expanding their business to different segments such as; books, food, toys, etc.
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7 for Exploramas



Designed by Alejandro de Antonio, Spain.

7 is an experimental project of art and design born with the idea to show 168 uninterrupted hours of the life of a person or of the functioning of a company. 168 are the hours that it has one week. 7 days. 7 it is a free and different frame, where you can announce what you want by means of an attractive format (Book + DVD with photos and video).

This packaging in a book for Exploramas. The company is specialized in the development of unique experiences in Andalucía. Exploramas create adventure activities and corporate events in natural places. They feel they have the responsibility not only to respect the environment, but to improve it. Understanding “Sustainability" as a constant improvement of all elements that forms the Environment, such as Nature, Animals and People who live in it.

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Toast



Designed by Grain Creative, Australia.

Rather than sending the conventional card to our clients, we here at Grain Creative decided a more appropriate way of sending our Christmas wishes and strengthening relationships with our clients would be to send, instead, a bottle of sparkling Shiraz. This would also ensure 'Grain Creative' stayed top of mind for when our clients started back at work in the new year. A simple yet clever design, the side caption wishes our clients all the best over the Christmas break and then asks them to farewell the year gone by with a 'toast on us'.
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Norsk Ol (Student Work)



Designed by Ryanna Christianson, a recent graduate from the University of Wisconsin Stevens Point, United States.

Norsk Ol is a six pack alcoholic beverage. Based on research of Norwegian traditions and folklore, the bottle represent Norvegian “Nisse”. Nisse are small mythical creatures that are thought to bring good luck but are also mischievous as well. Legend says they dwell in barns and around farms.
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Krc&Ko.



Designed by Peter Gregson, Serbia.

Krc&Ko. (Crunch&Co. in English) is line of various snack products. PGS task was to create entirely new brand on the market, which included visual identity, naming the product and package design. The name Krc&Ko. actually represents the character that enjoys eating various snacks as illustrated on the package (and “company” is actually KRc’s friends who represent each of the various snack products).
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Organic Shop



Designed by We Are Pure, United Kingdom.

WE ARE PURE HELPS ORGANIC SHOP TO BLOOM IN RUSSIA

Pervoe Reshenie, one of Russia’s leading health and beauty manufacturers, has launched a range of new stores with the help of brand and packaging design consultancy We Are Pure.

The four new outlets, simply called ‘Organic Shop’ are situated across Moscow and offer customers a choice of organic health and beauty products from Pervoe Reshenie’s own ranges, as well as lines from other brands in the sector.

As part of an ongoing working relationship with Pervoe Reshenie, We Are Pure took control of all design work for the stores. The Nottingham-based consultancy worked alongside the company to create the store concept, design the logo, interiors and packaging for a unique Organic Shop health and beauty range. They also handled all aspects of in-store design, from creating the POS and marketing video, to visualising the staff uniforms and gift boxes.

Commenting on the new Organic Shop stores, David Rogers, owner and creative partner of We Are Pure, said:

“The challenge for this project was to fully immerse ourselves into a completely different retail market with a new set of consumer expectations.

“The organic concept is a fairly new one to Russian shoppers and, whereas the UK consumer likes the association with nature and the creation of softness through brand and packaging design, the Russian market wants a sense of luxury.

“We had to create the required premium feel, but still emphasise the organic nature of the products. This was achieved via the bold black and green colour scheme that runs through the interior, logo and staff uniforms, coupled with the use of natural imagery on the POS, on light boxes throughout the store and in the marketing video playing on screens.”

We Are Pure has worked in partnership with Pervoe Reshenie for the past three years, with the consultancy creating many of the key brands that have resulted in the company becoming a multi-million pound business.

Amongst the brands created by We Are Pure is Natura Siberica, Russia’s first organic health and beauty range. The consultancy has also developed the Mama Kam Chat Ka and Organic Garden brands, helping them to become some of the biggest sellers across Russia and neighbouring countries.

David believes that the working partnership is set to continue:

“The senior management team at Pervoe Reshenie tells us that the Organic Shop stores have been incredibly well received by consumers. They are now looking at creating 50 more outlets across Russia.

“We are also currently looking at ways to adapt some of the company’s brands for the western market, so I fully expect to see some of the products on shelves much closer to home very soon.”

As well as working internationally, We Are Pure has created innovative packaging designs for some of the UK’s biggest names, including Trevor Sorbie, Cadbury, Speedo and Associated British Foods.
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Howe Sound Lager



Designed by The Antidote Inc., Canada.
The packaging was inspired by the geography of the Howe Sound region of coastal British Columbia and the European explorers that first charted these waters.

Being the southernmost fjord in North America, Howe Sound has verdant green mountains with snow-capped peaks rising out of deep blue glacial waters. This is represented in the colour scheme. The design itself honours maritime history, particularly old cartography which knew little of these mysterious waters perched on the edge of the earth and therefore filled them with sea monsters. The goal was to create a simple, bold and timeless looking can that respects and continues over a century of classic North American beer can design.

Artwork and design assistance came from Also Known As in Vancouver, BC and Stacey Rozich in Seattle, WA. The 100% recyclable 6-pack topper was created by PakTech in Eugene, OR to our colour Pantone specifications.
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Omojo



Designed by Pivot Lab, United States.
Situation
The Omojo brand had been around for a year and a half and although quite successful in other countries, it still faced a number of challenges in the US market. It simply wasn’t selling.

Insight
Our process uncovered the product names, descriptions, positioning, and image were not resonating with the US consumer; however, there was clearly an opportunity to dominate the hottest niche in the beauty market—Beauty from Within—with a unique configuration of their current offerings and meaningful positioning of the brand itself.

Strategy
We worked with Omojo to develop six new product configurations along with new 19 packages, new positioning, etc. It was a strategy that would not only dominate the new category of Beauty from Within but raise the bar far beyond the near-term reach of any competitor. We helped them create a “30-day Beauty Kits” which paired supplement with serums to meet six unique consumer demands.
The identity and packaging were designed to create an experience that demonstrated Omojo’s superior products, progressive solution, and impossible to replicate commitment to quality.

Solution
After the strategy was in place the design challenge was not as overwhelming. Pure beauty health and cellular precision. We wanted to create a clean, sophisticated packaging system that conveyed trust, authenticity and pure beauty marine health while still creating a sense of curiosity and naturally organic. The clean lines and shape of the box and lid conveyed the technical authenticity and a scientific trust. To evoke organic nature and pure beauty health we used a color and imagery system at a basic oceanic level by use of the bright colorful coral and seaweed. At the strategy level we explored the interaction and experience when handling the package. From the use of dull and gloss varnishes and the dramatic floods on the inside of each package, the experience started at first sight and touch. The products more unique feature is the use of both a topical and the supplement at the same time, creating a health approach from the inside and out. We expressed this from the simple use of the main black and white colors to the unique die-cut of the lid, showing not only what was on the surface but revealing what lies beneath.
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S.he Stylezone



Designed by Landor Hamburg, Germany.

Landor develops new brand identity for the cosmetics brand s.he sylezone by dm drogerie markt

s.he stylezone, the first decorative cosmetics brand by dm Austria, comes in unique, playful packaging - and is a pioneer in the private cosmetic brand field.

Hamburg, 26.04.2011 – The brand agency Landor Associates in Hamburg, has developed a new brand identity for the cosmetic brand s.he stylezone. The brand s.he stylezone appeals to a young, modern target group with a strong sense of individuality, mobility and fun. A transparent cube is the basic building block of the new modular design and packaging system; the different packaging elements can be inserted into each other and flexibly combined, which inspires individual combinations. The modular system allows every girl to create her own personal s.he stylezone make-up kit.

"The Landor team has thrilled us with this idea to give s.he stylezone a truly unique face. This goes beyond the usual market strategies for decorative cosmetics and underlines our claim of being the leading retail company in terms of innovation and quality."
- Monika Köck, Department Manageress of the dm retail brands in Austria and associated countries in Central and Southeast Europe

The packaging of the cosmetic products consists of transparent boxes through which the colourful shades of the different products shine. Therefore the entire cosmetic line has strong impact and communication power at point-of-sale and clearly stands out in the competitive environment. The transparent cubes with their bright fresh colours lend a feeling of lightness to the overall brand. They translate the lifestyle of the young target group directly into a dynamic, modern brand philosophy, which not only includes the product and packaging design, but also all cross-media communication. The relaunch of the s.he stylezone brand will be accompanied by numerous promotional activities both online and offline.

"The innovative packaging design sets new standards: s.he zone herewith positions itself as a confident trendsetter and future style icon in the beauty sector - a completely new approach for a retail beauty brand."
- Alexandra Kontetzki, Client Director at Landor Associates.
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Orino


Designed by Deep Blue Creative Graphics, Greece.

Creta Mel confectionery company (located in Crete-Greece) asked us to design the packaging for a new product line of sesame with dark chocolate and nuts.(above)
This new recipe was the inspiration for the name of the product:sesame plus chocolate”. A unique tasty combination was clearly contrasted on white background.
Our goal was to create a simple package that reflects the ingredients of the product but to stand far from the ordinary sesame bars.


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Domestic Wine



Designed by Design Studio13, Moldova.
Designers of Design Studio 13 had to create a new wine package. First of all, it was necessary to reflect the key feature of the product and its characteristic features – domestic spirit, respect of habits of centuries and excellent quality of the wine.

The base of design made of main attribute of domestic wine-making – futs de chene (oak tuns). Thanks to rounded forms of the tun, it is created impression that the package corners are smoothen over, the fact that softens its visual image. In whole, the composition is very harmonious and made in minimalism style using natural colours, and also underlining traditionalism and naturalness of the product. The line of wines consists of Bag-in-box 3 litres and Pat Pack 1 litre.
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Figureground (Concept)



Designed by PRAUD, United States.

Recently, PRAUD started a project called FIGUREGROUND where they developed T-shirts that represent urban forms from metropolitan areas around the world.

In their research for packaging we have found that many times a product is packaged twice when shipped. They wanted to develop a package that was strong enough for shipping and still elegant enough to be displayed in a store. Once the package is opened, PRAUD also wanted people to reduce packaging waste by giving it a second use. PRAUD developed the idea of a drawer concept. The package mimics a small drawer that can be used as a container once the t shirt has been taken out.
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